**Spoilers!**
Other Words for Love, by Lorraine Zago Rosenthal, follows Ari, who after earning an inheritance from her Uncle, attends a prestigious Manhattan prep school. She encounters glamorous and rich new people, and even gets Leigh, her new friend. With Leigh comes her enchanting cousins, Delsin and Blake. While Delsin is a smooth, slightly creepy ladies man, Blake is a warm hearted and undeniably handsome. He charms Ari until she falls for him. After blissful weeks of going out, Ari is suddenly broken-up with by Blake-- and left in a heart-broken trance. Why? Ari risked everything for Blake? Was Ari wrong all along about Blake?
This book was kind of good.
Great way to start a review.
One thing I don't like is that the blurb is that at the end it says: "were their feelings true love... or something else?" Which immediately makes me think what? What else besides love? It leaves and open topic and readers questioning which blurbs are supposed to do, but in a stupid way. Anyways, after reading the book, you immediately know that it was love, not lust, or something more animal in desire than love that brought Blake and Ari together.
Ari's struggle with the breakup is justified slightly by how Blake was her 'first love' and everything, I do think Ari was too obsessed with him. I get it that she thought he was amazing and she really thought he was perfect, but every 'normal girl' (as Ari often says she is) knows that no boy is 'forever', and that you have to get over it. Ari literally could have changed the course of her life because one guy dumped her. She almost became a stay-at-home slouch who would be obsessed with Blake forever. Why would a smart girl like Ari fall so easily into that slump?
One explanation for the possible for this, however, is that Ari was not only enticed by the attractive boy, like Blake, but the lifestyle of his social class in general. They live in high rises, with fancy parties and classy suits, and have cool families and hip moms and go to private schools without needing a scholarship or their dead uncle's inheritance. This glitz and glam life most likely took Ari away from the life of a girl in Queens (or is it Brooklyn?), who has a middle class lifestyle with homely parents and a messed up family life. Also, a little more randomly, I feel like the 1980's setting ending up being less as important as it seemed in the beginning.
This book portrays girls as so weak, and so needy for love if they're not getting it that they will give up all their dreams for a guy. The actions of Ari, even after knowing Blake was just weak and couldn't stand up for himself, were unbelievable. She was lusting after him and crying for a guy who would appear unattractive, I think, to many girls, as he was someone who couldn't hold his ground and make life choices. The book also jumps back and forth around this theme, and shows these two sides with conflicting consistency.
I mean you have Leigh, who, however mistreated by Ari and Blake, was an immature character, and she was scarred by her boyfriends death, yet she didn't understand any of the other characters desire for affection. The author makes some moments with the characters so relatable, but some moments so awkward that you feel like you have to take a step back from the book to really get what was going on.
I think the relationship between Summer and Ari is very interesting, however, and was one of the more believable and interesting parts of the book. It was a classic 'friends breaking up' type of plot, but that happens in real life all the time, and was relatable. Also, Summer's character, no matter how unbearable, did make the story more interesting for me.
I was about 50/50 with this book, in terms of how much I liked/disliked it. I thought the author kind of spewed out the end and went a little too far into 'the obsession' of Ari with Blake. She made the characters too weak to believe. That bothered me. I like a book with strong characters with believable flaws that I can relate too. I wouldn't whine over a boy for a summer just because he broke up with me. I would probably mostly be angry, as Blake literally ruined Ari's future.
Sunday, May 26, 2013
Saturday, May 18, 2013
"It's Not Summer Without You" by Jenny Han
**Spoilers!**
(I also read this book before, and decided to read it again.)
It's Not Summer Without You, by Jenny Han, is about Belly, or Isabel, is in her last year of high school. After her mother's best friend, and one of her best friends, Susannah, died of breast cancer, her life hasn't been the same. Her mother is breaking under the stress as executor of Susannah's will, and doesn't have any grieving time on her own. Belly's brother is far away, off at college, and almost non-existent in their current life. Her secret escape, Susannah's beach house, is now a memory, and Belly is dreading the summer without her time with her brother, mother, Susannah and Susannah's sons, Conrad and Jeremiah. To make matters worse, Conrad, the boy Belly has loved for forever, has broken up with her, and is detached and alone, not even talking to her, and dumping her right when Susannah died, when she needed him the most. But when Belly's told by Jeremiah Conrad is gone, she goes to find him without hesitation, and ends up at the beach house. This is her last chance to save her relationship with Conrad and finally come to terms with the death of the person that brought them all together.
This book was pretty good, but it wasn't as good as I remember. It was still better than the last book, The Summer I Turned Pretty. The book is well written, like the last book (tip off the hat to Jenny Han). The whole story is well formulated, the characters are believable, the love story is sigh worthy, and it has a nice, neat love triangle to top the story off.
These are also all very basic and well worn tools by authors of YA romance books.
The character set up and development, thought predictable, are very nicely written. It's a very straightforward book in theme and plot, but the little details, as in the last book, make me like it so much. I love, strangely enough, the 'annoyingness' (no better word) of Belly after her breakup with Conrad, and after Susannah's death. She tries to use guilt to get what she wants, and find excuses for what I must say so myself, is terrible behavior. Also I liked how other characters (such as Taylor) react by getting mad at her, and not forgiving her. The holding grudges, obsessing, depression, whining, and just emotions of this book is what makes this a very believable book. The ways the characters interact have a lot to do with this, and it made the book a lot more enjoyable to read, in my opinion.
Many of the themes in this book are really cheesy. The brother love triangle, the way the brothers fight over Belly, the unrealistic things the people will do for love, all things that sometimes ruin a so far romance book for me. Even the classic beach cover with attractive girl with windblown hair is fairly overused.
Reading this book again made me realize that many of the parts of the book that I loved last year made me a little queasy this year, and weren't as creative as I thought before. Though I obviously realized this book wasn't a greatest book ever, and that many plot points had been used before, it was just harder to enjoy when I realized it was glaringly obvious what would happen, not just because I had already read the story.
Overall, I very much enjoyed this book, and thought it balanced sappiness and real-life emotions. Jenny Han has a very specific writing type, and has a talent for books such as these, teenager-y romance plots involving summer romances. Her books are a guilty pleasure of mine, and I would be interested in reading the rest of this series.
(I also read this book before, and decided to read it again.)
It's Not Summer Without You, by Jenny Han, is about Belly, or Isabel, is in her last year of high school. After her mother's best friend, and one of her best friends, Susannah, died of breast cancer, her life hasn't been the same. Her mother is breaking under the stress as executor of Susannah's will, and doesn't have any grieving time on her own. Belly's brother is far away, off at college, and almost non-existent in their current life. Her secret escape, Susannah's beach house, is now a memory, and Belly is dreading the summer without her time with her brother, mother, Susannah and Susannah's sons, Conrad and Jeremiah. To make matters worse, Conrad, the boy Belly has loved for forever, has broken up with her, and is detached and alone, not even talking to her, and dumping her right when Susannah died, when she needed him the most. But when Belly's told by Jeremiah Conrad is gone, she goes to find him without hesitation, and ends up at the beach house. This is her last chance to save her relationship with Conrad and finally come to terms with the death of the person that brought them all together.
This book was pretty good, but it wasn't as good as I remember. It was still better than the last book, The Summer I Turned Pretty. The book is well written, like the last book (tip off the hat to Jenny Han). The whole story is well formulated, the characters are believable, the love story is sigh worthy, and it has a nice, neat love triangle to top the story off.
These are also all very basic and well worn tools by authors of YA romance books.
The character set up and development, thought predictable, are very nicely written. It's a very straightforward book in theme and plot, but the little details, as in the last book, make me like it so much. I love, strangely enough, the 'annoyingness' (no better word) of Belly after her breakup with Conrad, and after Susannah's death. She tries to use guilt to get what she wants, and find excuses for what I must say so myself, is terrible behavior. Also I liked how other characters (such as Taylor) react by getting mad at her, and not forgiving her. The holding grudges, obsessing, depression, whining, and just emotions of this book is what makes this a very believable book. The ways the characters interact have a lot to do with this, and it made the book a lot more enjoyable to read, in my opinion.
Many of the themes in this book are really cheesy. The brother love triangle, the way the brothers fight over Belly, the unrealistic things the people will do for love, all things that sometimes ruin a so far romance book for me. Even the classic beach cover with attractive girl with windblown hair is fairly overused.
Reading this book again made me realize that many of the parts of the book that I loved last year made me a little queasy this year, and weren't as creative as I thought before. Though I obviously realized this book wasn't a greatest book ever, and that many plot points had been used before, it was just harder to enjoy when I realized it was glaringly obvious what would happen, not just because I had already read the story.
Overall, I very much enjoyed this book, and thought it balanced sappiness and real-life emotions. Jenny Han has a very specific writing type, and has a talent for books such as these, teenager-y romance plots involving summer romances. Her books are a guilty pleasure of mine, and I would be interested in reading the rest of this series.
Sunday, May 12, 2013
"Why We Broke Up" by Daniel Handler (Illustrations by Maira Kalman)
**Spoilers!**
Why We Broke Up, by Daniel Handler is the story of young love, and probably more importantly, young heartbreak.
The story follows 'artsy' Min, and jock-ish Ed Slaterton as they go out.
...
That's one of the reasons I didn't exactly like this book.
I mean, the book itself was very well written, and I loved a lot of the beautiful moments in the book. Some of Min's lines from her letters, or her narrations I suppose, were seemingly simple, but entirely gorgeous. Many of these included lines at the ends of portions of the letters, which gave the overall reasons why Min and Ed broke up. I loved the simple-ness of the illustrations as well, because though very well painted/drawn, they were simple pictures of only one or two items. But what they meant in the story and to the characters were the important.
A couple things I didn't like about the story was Min and Ed's relationship, or at least how it began. I think Min, so focused on not being, but still being artsy, and so openly knowing of her and Ed's differences, should have not fallen for Ed as hard as she did. I do understand, that these are teenagers. Us teens to stupid, and crazy things, but still, most people would realize, "Oh, this is a jock who I really have nothing in common with, I mean, he's hot, but really?" Min seemed to dive into this relationship knowing almost nothing about Ed, and then was surprised after only a month of dating, and barely knowing him, and almost always seemingly internally dissatisfied with the relationship, that he had cheated on her.
The relationship itself only really lasted a month too. Would anyone really get that attached to a person they only know as a popular figure in their school in a month?
In response to my comment on top, about how I didn't like the subject of the book, I feel like the book had no deeper meaning, and just kind of left the story there, almost just a pretty picture.
I understand this is a story of young, fast paced, head over heels love, but as a teenager in modern society, I can't imagine people getting this 'in love' (well, not really, but kind of, but not really, you know?) in a month!
I still very much enjoyed this book, however, and it creates a fairly beautiful image of a relationship and people walking into such relationships without really knowing what they're doing.
Why We Broke Up, by Daniel Handler is the story of young love, and probably more importantly, young heartbreak.
The story follows 'artsy' Min, and jock-ish Ed Slaterton as they go out.
...
That's one of the reasons I didn't exactly like this book.
I mean, the book itself was very well written, and I loved a lot of the beautiful moments in the book. Some of Min's lines from her letters, or her narrations I suppose, were seemingly simple, but entirely gorgeous. Many of these included lines at the ends of portions of the letters, which gave the overall reasons why Min and Ed broke up. I loved the simple-ness of the illustrations as well, because though very well painted/drawn, they were simple pictures of only one or two items. But what they meant in the story and to the characters were the important.
A couple things I didn't like about the story was Min and Ed's relationship, or at least how it began. I think Min, so focused on not being, but still being artsy, and so openly knowing of her and Ed's differences, should have not fallen for Ed as hard as she did. I do understand, that these are teenagers. Us teens to stupid, and crazy things, but still, most people would realize, "Oh, this is a jock who I really have nothing in common with, I mean, he's hot, but really?" Min seemed to dive into this relationship knowing almost nothing about Ed, and then was surprised after only a month of dating, and barely knowing him, and almost always seemingly internally dissatisfied with the relationship, that he had cheated on her.
The relationship itself only really lasted a month too. Would anyone really get that attached to a person they only know as a popular figure in their school in a month?
In response to my comment on top, about how I didn't like the subject of the book, I feel like the book had no deeper meaning, and just kind of left the story there, almost just a pretty picture.
I understand this is a story of young, fast paced, head over heels love, but as a teenager in modern society, I can't imagine people getting this 'in love' (well, not really, but kind of, but not really, you know?) in a month!
I still very much enjoyed this book, however, and it creates a fairly beautiful image of a relationship and people walking into such relationships without really knowing what they're doing.
Tuesday, May 7, 2013
"Red Glove" by Holly Black (Curse Workers Series #2)
**Spoilers!**
In this continuation of the Curse Workers series by Holly Black, and follows Cassel struggle with not only trying to maintain is normal life at school in this last couple years, but dealing with the discovery of his new Transformative powers. Things get more difficult when Lila joins his school, making it even harder to separate his lives, as well as his confusing feelings for Lila. But a new mystery emerges when Cassel learns that his brother, Phillip, has been murdered, and all they know about the killer is that she's a woman. A woman with Red Gloves.
I really liked this book as a continuation of the series. The book at many strong points that helped elaborate on the world of the story and the characters, their relationships.
Cassel and his mother's relationship is definitely developed, especially during the exchanges during Phillip's funeral and toward the beginning of the book when Cassel discovers his mother has curse-worked Lila into 'loving' him. Cassel's mother is seemingly trying to help, but at this same time, knowingly not helping Cassel much at all in the long run. Lila's feelings, being produced by emotion working, will fade, so no matter how much Cassel's mother wants or thinks she is helping, she must know this will happen. The mother's character itself is very fickle and irresponsible. I also find it interesting her interactions with the other family, like Barron, and family friends, during many of the scenes involving Phillip's death. She seems obviously melodramatic, but it's clear she does love her children, and almost as though she just doesn't know how to get that message across.
I want to know about why the mother is like this. Maybe she felt bad about attaching to her children while she was bringing them up in such an unstable and corrupted environment, or maybe because of this environment she never had the time to learn how to communicate with her children.
I'm already started with the next book, Black Heart, but I'm very excited to see where this story goes!
In this continuation of the Curse Workers series by Holly Black, and follows Cassel struggle with not only trying to maintain is normal life at school in this last couple years, but dealing with the discovery of his new Transformative powers. Things get more difficult when Lila joins his school, making it even harder to separate his lives, as well as his confusing feelings for Lila. But a new mystery emerges when Cassel learns that his brother, Phillip, has been murdered, and all they know about the killer is that she's a woman. A woman with Red Gloves.
I really liked this book as a continuation of the series. The book at many strong points that helped elaborate on the world of the story and the characters, their relationships.
Cassel and his mother's relationship is definitely developed, especially during the exchanges during Phillip's funeral and toward the beginning of the book when Cassel discovers his mother has curse-worked Lila into 'loving' him. Cassel's mother is seemingly trying to help, but at this same time, knowingly not helping Cassel much at all in the long run. Lila's feelings, being produced by emotion working, will fade, so no matter how much Cassel's mother wants or thinks she is helping, she must know this will happen. The mother's character itself is very fickle and irresponsible. I also find it interesting her interactions with the other family, like Barron, and family friends, during many of the scenes involving Phillip's death. She seems obviously melodramatic, but it's clear she does love her children, and almost as though she just doesn't know how to get that message across.
I want to know about why the mother is like this. Maybe she felt bad about attaching to her children while she was bringing them up in such an unstable and corrupted environment, or maybe because of this environment she never had the time to learn how to communicate with her children.
I'm already started with the next book, Black Heart, but I'm very excited to see where this story goes!
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