"It's Not Summer Without You" by Jenny Han

**Spoilers!**

(I also read this book before, and decided to read it again.)


It's Not Summer Without You, by Jenny Han, is about Belly, or Isabel, is in her last year of high school. After her mother's best friend, and one of her best friends, Susannah, died of breast cancer, her life hasn't been the same. Her mother is breaking under the stress as executor of Susannah's will, and doesn't have any grieving time on her own. Belly's brother is far away, off at college, and almost non-existent in their current life. Her secret escape, Susannah's beach house, is now a memory, and Belly is dreading the summer without her time with her brother, mother, Susannah and Susannah's sons, Conrad and Jeremiah. To make matters worse, Conrad, the boy Belly has loved for forever, has broken up with her, and is detached and alone, not even talking to her, and dumping her right when Susannah died, when she needed him the most. But when Belly's told by Jeremiah Conrad is gone, she goes to find him without hesitation, and ends up at the beach house. This is her last chance to save her relationship with Conrad and finally come to terms with the death of the person that brought them all together. 

This book was pretty good, but it wasn't as good as I remember. It was still better than the last book, The Summer I Turned Pretty. The book is well written, like the last book (tip off the hat to Jenny Han). The whole story is well formulated, the characters are believable, the love story is sigh worthy, and it has a nice, neat love triangle to top the story off.

These are also all very basic and well worn tools by authors of YA romance books.

The character set up and development, thought predictable, are very nicely written. It's a very straightforward book in theme and plot, but the little details, as in the last book, make me like it so much. I love, strangely enough, the 'annoyingness' (no better word) of Belly after her breakup with Conrad, and after Susannah's death. She tries to use guilt to get what she wants, and find excuses for what I must say so myself, is terrible behavior. Also I liked how other characters (such as Taylor) react by getting mad at her, and not forgiving her. The holding grudges, obsessing, depression, whining, and just emotions of this book is what makes this a very believable book. The ways the characters interact have a lot to do with this, and it made the book a lot more enjoyable to read, in my opinion.

Many of the themes in this book are really cheesy. The brother love triangle, the way the brothers fight over Belly, the unrealistic things the people will do for love, all things that sometimes ruin a so far romance book for me. Even the classic beach cover with attractive girl with windblown hair is fairly overused. 

Reading this book again made me realize that many of the parts of the book that I loved last year made me a little queasy this year, and weren't as creative as I thought before. Though I obviously realized this book wasn't a greatest book ever, and that many plot points had been used before, it was just harder to enjoy when I realized it was glaringly obvious what would happen, not just because I had already read the story.

Overall, I very much enjoyed this book, and thought it balanced sappiness and real-life emotions. Jenny Han has a very specific writing type, and has a talent for books such as these, teenager-y romance plots involving summer romances. Her books are a guilty pleasure of mine, and I would be interested in reading the rest of this series.

"Why We Broke Up" by Daniel Handler (Illustrations by Maira Kalman)

**Spoilers!**


Why We Broke Up, by Daniel Handler is the story of young love, and probably more importantly, young heartbreak.

The story follows 'artsy' Min, and jock-ish Ed Slaterton as they go out.

...

That's one of the reasons I didn't exactly like this book.

I mean, the book itself was very well written, and I loved a lot of the beautiful moments in the book. Some of Min's lines from her letters, or her narrations I suppose, were seemingly simple, but entirely gorgeous. Many of these included lines at the ends of portions of the letters, which gave the overall reasons why Min and Ed broke up. I loved the simple-ness of the illustrations as well, because though very well painted/drawn, they were simple pictures of only one or two items. But what they meant in the story and to the characters were the important.

A couple things I didn't like about the story was Min and Ed's relationship, or at least how it began. I think Min, so focused on not being, but still being artsy, and so openly knowing of her and Ed's differences, should have not fallen for Ed as hard as she did. I do understand, that these are teenagers. Us teens to stupid, and crazy things, but still, most people would realize, "Oh, this is a jock who I really have nothing in common with, I mean, he's hot, but really?" Min seemed to dive into this relationship knowing almost nothing about Ed, and then was surprised after only a month of dating, and barely knowing him, and almost always seemingly internally dissatisfied with the relationship, that he had cheated on her.

The relationship itself only really lasted a month too. Would anyone really get that attached to a person they only know as a popular figure in their school in a month?

In response to my comment on top, about how I didn't like the subject of the book, I feel like the book had no deeper meaning, and just kind of left the story there, almost just a pretty picture.

I understand this is a story of young, fast paced, head over heels love, but as a teenager in modern society, I can't imagine people getting this 'in love' (well, not really, but kind of, but not really, you know?) in a month!

I still very much enjoyed this book, however, and it creates a fairly beautiful image of a relationship and people walking into such relationships without really knowing what they're doing.

"Red Glove" by Holly Black (Curse Workers Series #2)

**Spoilers!**

In this continuation of the Curse Workers series by Holly Black, and follows Cassel struggle with not only trying to maintain is normal life at school in this last couple years, but dealing with the discovery of his new Transformative powers. Things get more difficult when Lila joins his school, making it even harder to separate his lives, as well as his confusing feelings for Lila. But a new mystery emerges when Cassel learns that his brother, Phillip, has been murdered, and all they know about the killer is that she's  a woman. A woman with Red Gloves.

I really liked this book as a continuation of the series. The book at many strong points that helped elaborate on the world of the story and the characters, their relationships.

Cassel and his mother's relationship is definitely developed, especially during the exchanges during Phillip's funeral and toward the beginning of the book when Cassel discovers his mother has curse-worked Lila into 'loving' him. Cassel's mother is seemingly trying to help, but at this same time, knowingly not helping Cassel much at all in the long run. Lila's feelings, being produced by emotion working, will fade, so no matter how much Cassel's mother wants or thinks she is helping, she must know this will happen. The mother's character itself is very fickle and irresponsible. I also find it interesting her interactions with the other family, like Barron, and family friends, during many of the scenes involving Phillip's death. She seems obviously melodramatic, but it's clear she does love her children, and almost as though she just doesn't know how to get that message across.

I want to know about why the mother is like this. Maybe she felt bad about attaching to her children while she was bringing them up in such an unstable and corrupted environment, or maybe because of this environment she never had the time to learn how to communicate with her children.

I'm already started with the next book, Black Heart, but I'm very excited to see where this story goes!

"There is No Dog" by Meg Rosoff

When Bob, the adolescent god of Earth, a small, unwanted planet (Simply placed upon Bob as none of the other celestial deities wanted it), falls in love with a human, and more importantly mortal, girl, the world turns upside down. Bob wreaks havoc on the little planet, and his under rewarded, fed up assistant, Mr. B, can do nothing to stop it. At the same time, his much ignored pet, Eck, the last one of the Ecks, is gambled off by Bob's mother to be eaten, and Bob does not care in the least. It falls on the shoulders of Estelle, a logical young immortal being, who is the daughter of the very god trying to eat Eck, and of course, Mr. B, while they also try to stop the world from being thrown into an environmental disaster from hormones. 

I just reread this book, and I am disappointed by the amount of appreciation I gave it. Though, the things I don't like about it still stand, I enjoy it much more than I did when I first read it. The book is funny, sarcastic, dynamic, and borderline blasphemous. All things I enjoy (though not specifically blasphemy, I just enjoy questioning beliefs and norms given to humans).  The book, though silly at times, takes up a couple serious questions. First of all, obviously, "Does God exist?" Followed by, "Why does God, if he does exist, do what he does?" "Who gave God the right to do these things?" All of these are woven quite nicely into the plot, and leave you with something to think about at the end.

Some problems that I had with this book were that the pace changed drastically at the end. They sped it up too much! I don't like when people rush books, especially at the end, which makes it seem like they weren't committed, and just threw it out there when they got bored. 

The actually end, in theory, was great however. It wasn't executed well, but it worked very well for the plot. It told so sweetly the companionship- love-friendship-(?) of Mr. B and Estelle. I wanted them to be together the whole book. I also wanted to punch Bob in the face. He was one of the most annoying, bratty characters I've ever read. Which I guess was the point, but, oh, God, did I want him to get thrown into space. Also, what is with the bureaucracy of these immortal, all powerful beings? They just throw the obviously worst choice into the job? Who does that? Don't they take any sort of progress report? I mean Bob did great things at first, but he was a whiny baby, not even capable of taking care of himself, let alone a whole planet. 

Some of the writing style of the author put me off a bit too, which had to do with the skimmed end of the book, but it was still enjoyable.

"Romeo and Juliet" by William Shakespeare

I finally have officially finished Romeo and Juliet, by, of course, Shakespeare.

Of course, this is a really famous piece of literature, and set a lot of standards, and is a super-classic, and is one the most produced pieces of theater ever.

I'm going to try to review, respond, whatever these are, to it without acknowledging this.

So first of all, I have to say that personally, I don't really like Romeo... or Juliet... Their characters, I feel, are fairly weak in the overall play. Of course, 'fate' and the 'the stars' are giant themes in this play, but I feel like they barely did anything besides die.

This is some kind of blasphemy, I know it.

But, I suppose some disbelief must be suspended. The time period this was written in was as much superstitiously believing in fate as it was believing in the Church. But still, I think that Romeo and Juliet's characters are mostly whiney and then dead the whole play. Juliet starts out fairly bearable, but gets as bad and bland as Romeo at the end. I'm not saying she didn't love Romeo, she committed suicide for him (though I do believe this was mostly due to her dislike of being controlled by her parents and not making her own decisions. Which is a little funny as the fates control her anyway the whole play.), but I think that if it would have been more interesting for me, as a character, if Juliet had been more active in trying to prevent her wedding to Paris, or more active in reuniting with Romeo. 

Some have claimed that they are the ideal representation of young love and the brashness of teenagers, but I doth protest. I know many teenagers that would have handled any situation similar to those of these Capulets and Montagues better then they would have, and smarter than they would have as well.

I think the rest of the characters were very well built, and all had clear motives and wants for their actions. This made the characters more easy to believe, even with fate intervening. I guess my biggest problem was with fate. I think that's fate hand is too much involved in Romeo and Juliet's relationship forming without enough thought from either one fo them them to make it myself really feel for their hardships or relationship.

This all is, of course, my opinion, which is clearly skewed as I live in a different time than when the play was written. Many of these behaviors were much more normal, such as quick courtships, or arranged marriages (by the stars or by parents). Just this play, to me, in my current postion as a person in this world, is just really touching the surface of what it could have been. I would have loved to see more of Juliet's struggle against marrying Paris (there's really nothing wrong with Paris, and she's known him for longer than Romeo. The only problem I see is that it seems she didn't want to do what her parents wanted her to.), and I think more of how Romeo views his and Juliet's family's quarrel. 

People kept talking about how this play has been relevant for such a long time because of it's themes when I read it with my class, but I think that some of these themes will be less and less easy to relate to as we progress in society and culture. 

"Half Moon Investigations" by Eoin Colfer

Half Moon Investigations  is by far one of my favorite books. I read this in something like fourth or fifth grade, but I try to reread it every year or so. There are so many reasons why this is a great book, so I'll try to keep is brief.

1) Eoin Colfer. Colfer is a really strong author, and is really well known, in my age group, most likely for the Artemis Fowl Chronicles, or series or whatever it's title is. The reason Colfer is such a successful youth writer is that he can keep the content youth appropriate, but make the story itself mature. What I mean by that is Colfer doesn't over sexual or over dramatize the pre-teen and teen experience to make it a good and still interesting read for teenagers and pre-teens, but doesn't make it hard to believe that these characters are, in fact, teenagers. He's able to make the tone of the story really mature, and develops these characters to be their own person, and doesn't try to make them 'squares.' These children are their own characters with their own wants and desires, that make them really believable.

2) Tone. I love the tone of this book, which has to do with the speil about tone and maturity I wrote up there. This book, to me, pretty much reads as a witty noir for teens. But the best thing about it, no matter how cheesy that may sound, or you may think it will be, Colfer retains really individual and interesting ideas in the story that keep it in modern context and in a relatable place for teenagers. He's able to take a mystery about a fiercely competitive talent show and add at least three fight scenes and menacing kidnapping scene, and a little bit of gore. Talent. Also, this book really makes me want to go to Ireland.

3) Mystery. Colfer is able to write a great mystery story. He leaves enough clues sprinkled around the book for people to deduce it on the own, but keeps you guessing the whole time. This makes the story really a great deal of fun to read, let alone the second or third time, when you start to really notice the little hints Colfer drops throughout the story.

So I guess the point of this was...
Eoin Colfer is a very good writer.

"White Cat" by Holly Black (Curse Workers Series #1)

I've almost come to the end of the book, "White Cat" by Holly Black, the first book of the Curse Workers series. The book tells the story of Cassel, a non-worker in a well known family of workers who work for one infamous working crime families. In the world of the book, "workers" are gifted individuals who can manipulate certain elements of a person- whether it is their emotions, luck, or even their very life. I've really enjoyed this book so far for multiple reasons.

I really liked the unique mythology and magic in this book, specifically the workers. Though the abilities they possess aren't unique only to the book, the way the author portrays these powers make them very interesting. I like the idea of "blowback" being established in the book, putting a limit on these very powerful powers. I also love that the powers are used in a mob or mafia style setting. In many books using magic, most of the people using this magic are good, but when you think about it, unfortunately, most would be using the magic for their own advantage, such as crime in the mob. People are selfish, it's the bottom line.

I also like how Holly Black wrote the characters in the book. She made the main chara
cter, Cassel, quite weak, but is a boy. It breaks the boundaries of female characters having to be weak, and men always having to save them. In fact, towards the end of the book, a stronger female character mostly controls the events that occur that change the plot. Holly Black as an author, to me, has shown she can write many different kind of characters as well. I've read a lot of her work and am further impressed with the diversity in her characters that make each one of them interesting on their own way. Many authors seem to reuse the same kind of character in each other their books.

As I've mentioned before in posts about Holly Black and her work, she creates an amazing universe around her books, one that makes sense and that you can get lost in, which is one of my favorite parts of her books. I can't wait to read the rest of the series, and to further 'get lost' in the Curse Workers world!